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Hopkin Instrumentarium: Squiggly-Amejewar
hopkin-instrumentarium-squiggly-amejewar
Hopkin Instrumentarium: Squiggly-Amejewar
39.00
Hopkin Instrumentarium: Squiggly-Amejewar

Hopkin Instrumentarium: Squiggly-Amejewar

By:

Soundiron

Kontakt Strings

Squiggly-Amejewar is a custom wooden instrument with four strings and a buzzing bridge. This buzz effect works best with very long strings, and the strings on Squiggly are about seven feet long. They’re played with a flat-sided slide, making for a complex, varied and evolving sound.

Kontakt
Mac Windows
Hopkin Instrumentarium: Squiggly-Amejewar
Squiggly-Amejewar

Squiggly-Amejewar is a custom wooden instrument with four strings and a buzzing bridge. This buzz effect works best with very long strings, and the strings on Squiggly are about seven feet long.

They’re played with a flat-sided slide which can add to the buzzing effect by changing how the flat side contacts the strings, making for a complex, varied and evolving sound.

The Indian sitar, tamboura, and the Kenyan obokano are three famous examples of the intentionally buzzing bridge. The Indian designs are subtle and refined in their effect, while obokano brings out a more, exciting, edgy, rhythmic sound. Squiggly-Amejewar owes a debt to all of these, but with its own distinct flavor. It can tend toward the raunchy, but with a sustained and interestingly variegated and multifaceted tone. In this collection, the tones of the scale were recorded in two ways: straight – that is, with no vibrato or other added color, just the fascinatingly evolving spectrum of buzzing overtones, and modulated, with the additional colorizing effects created through subtle manipulation of the slide as the note sustains. If you’re looking for a truly new and unique timbre, take a listen to Squiggly!

We’ve faithfully sampled every interesting sound we could get out of this zither, with three stereo mic positions: Close mics, Pickups, and Contact mics. Plucks, Glisses, and FX are available in all four layers to easily mix and match. With up to 8x round robin and 6 velocity layers per note, you’ll be swimming in lush timbres in no time. We’ve also included a wide selection of custom FX presets and plenty of our signature sound-designed ambient content, crafted from the raw acoustic source to give you complete creative freedom.

Contents

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

  • 5,532 stereo samples in unlocked .WAV format
  • 11.1 GB Installed
  • Made for the full retail version of Kontakt (version 6.5+)

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